Hardly ever has the power of Hong Kong style cinema to juggle wildly conflicting moods been extra evident than in Tsui Hark’s Peking Opera Blues. The movie doesn’t a lot alternate between as concurrently embody a screwball comedy, political thriller, buddy motion flick, and a melodramatic tribute to quickly cast but unbreakable emotional bonds. That it not solely hangs collectively however flows cogently and supplies a stellar showcase for every of its lead actresses marks the movie as considered one of Tsui’s best achievements.
Set shortly after the autumn of the Qing Dynasty, Peking Opera Blues depicts a transitional society susceptible to destabilization. Profitable revolutionaries have begun to descend into factionalism as generals vie for energy and lowly troopers largely content material themselves with looting. Throughout one such ransacking, singer Sheung Hung (Cherie Chung) makes off with a case of jewels, solely to lose them in a cart certain for an all-male opera run by Mr. Wong (Wu Ma), whose daughter, Bak Nau (Sally Yeh), needs to be an actor. Among the many opera’s patrons are Normal Cho (Kenneth Tsang) and his daughter, Wan (Brigitte Lin), who acts as a spy for a rival group of republican fighters against wannabe warlords like Cho.
As these characters turn out to be embroiled in a violent wrestle between political rivals, Peking Opera Blues by no means loses sight of their particular person ambitions. Cho imperiously jockeys for energy, and so does an underling, Captain Lui (Ku Feng), the lads’s infinite scheming distracting them from stomping out the spy community underneath their noses. Cho and particularly Lui additionally make rapacious passes on the girls, who rally to assist Wan in her clandestine actions.
Tsui’s swooning digital camera actions are equally suited to scenes of opera dance and abrupt explosions of brawls and gunfights. When one shootout between revolutionary squads erupts in Wong’s theater, the digital camera continuously cuts above and beneath rows of seating because the civilians of the gang leap up and down relying on how a given line of troopers crouches or stands to fireside. Later, the climax sees the heroes dressed as actors making an escape to hurl themselves as much as the rafters and out onto the roof as troopers pour gunfire into the ceiling.
In lots of respects, although, the movie’s standout moments are much less its intricately choreographed, escalating motion sequences than the small moments the place Tsui performs up the intimate and bigger social ills that weigh on the characters. When Lui makes lecherous calls for in Wong’s theater, first for the troupe’s lead actor after which for Bak, Wong’s encouragement to each to undergo the soldier for the sake of the corporate isn’t mercenary however nervous and resigned, conscious that resistance will end in the identical consequence however better destruction.

Tsui typically juxtaposes broad comedy on a topic with a extra somber reflection on the identical matter. For one, the movie’s depiction of Wong’s troupe of cross-dressing male opera actors sadly reinforces wince-inducing stereotypes of effeminacy. Alternatively, in a scene the place Bak and Sheung ask Wan why she wearing a person’s navy uniform and conducts herself with a masculine angle, the revolutionary can not assist however smile to herself as she speaks vulnerably in regards to the confidence and luxury it offers her.
For all its style pleasures, Peking Opera Blues critically displays on the political upheavals of Twentieth-century China. Nestled inside that look backward is an anxious look ahead to the 1997 handover of Hong Kong from the UK again to the Mainland and the political adjustments it’d deliver to the province. In lots of respects, the movie is an efficient rehearsal for Tsui’s later wuxia epic As soon as Upon a Time in China and its statelier reckoning with historical past.
Picture/Sound
Shout! Factory’s 4K switch completely captures the florid colours of the cinematography, with the pinks and rouges of the opera make-up and the costuming virtually popping off the display, and the cooler tones of blue and inexperienced captured in a gamut of gradations. Element is constantly sharp and distinction is steady, with no crushing artifacts or softness on show.
The lossless audio observe is a boisterous mixture of metropolis noise, gunfire, and the brassy percussion blasts of Chinese language opera orchestration that retains every factor effectively separated from the others. Dialogue is positioned on the entrance of the combination in even essentially the most overwhelming scenes, conserving each line clearly audible irrespective of the chaos that surrounds the characters.
Extras
Shout! Factory commissioned a number of recent extras to mark the movie’s long-belated launch on Area 1 video. In a brand new commentary observe, critic James Mudge affords a mixture of biographical data on the solid and crew together with analyses of Tsui Hark’s plethora of aesthetic feats of marvel. The disc additionally contains interviews with actor Mark Chen discussing his profession and cinematographer Ray Wong sharing his recollections of the challenge as considered one of his earliest gigs (he was solely the main focus puller right here). Wong offers quite a few insights into Tsui’s working strategies and in addition recounts anecdotes in regards to the lead actresses’ dedication on set.
We additionally get a handful of recent interviews in regards to the movie with varied critics and authors. Grady Hendrix affords an accessible overview of the movie, Tsui’s profession, the related Chinese language historical past of the story’s setting, and the movie’s hostile reception by home critics who didn’t see its subtler social critiques beneath a crowd-pleasing floor. David West delves deeper into the director’s profession, whereas Professor Lars Laamann offers a radical account of each the revolutionary occasions in 1910s China and the altering panorama of nationwide opera.
Total
Tsui Hark’s masterpiece receives a stunning A/V switch worthy of its freewheeling, genre-blending magnificence from Shout! Factory, together with a bevy of excellent extras.
Rating:
Solid: Brigitte Lin, Cherie Chung, Sally Yeh, Kenneth Tsang, Wu Ma, Paul Chun, Mark Cheng, Cheung Kwok Keung, Fu Feng Director: Tsui Hark Screenwriter: Raymond To Distributor: Shout! Factory Operating Time: 105 min Score: NR 12 months: 1986 Launch Date: September 23, 2025 Purchase: Video
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